‘I'm most interested in the garish, kind of kitschy, feel of the work. There's something almost dangerous about the work. Will it work? Will it succeed or not? Just the coming together of the painting and the material used in the outside part, which functions as a frame, but also very much alters the meaning of the inner image (…).’
[LESS]‘I'm most interested in the garish, kind of kitschy, feel of the work. There's something almost dangerous about the work. Will it work? Will it succeed or not? Just the coming together of the painting and the material used in the outside part, which functions as a frame, but also very much alters the meaning of the inner image (…).’
