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Work Type:installation
Work Sub Type:drawing/video/performance installation and accompanying billboard
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Date of work:1999
Materials:medium: drawings, video, performances, billboard

Subject:performance, normality, documentation, sculpture, actions, time, minimalism, drawings, instructions, everyday, installation, participation, billboard, video, tennis, balls, ready-made
Technique:drawings were made as instructions for one-minute performances and copies of these are displayed. The one-minute sculptures were also videoed and this is shown alongside. The viewer is encouraged to participate and follow the instructions using materials
Collection:Liverpool Biennial
Description:
Erwin Wurm's performance sculptures arise from simple daily actions: trying on new clothing, driving by a billboard, or opening a box. Superficially minimalist in style, these works are actually more closely related to performance art in their impermanence and emphasis on action. In earlier pieces, Wurm folded jumpers and shirts in different ways to create different volumes. The logic of the process was rigorously followed through. The performances began with clothing worn in dysfunctional ways to produce abstractions and new geometries. A jumper drawn over the entire form of a crouched figure, for example, produced a symmetrical cube.


At the Exchange Flags in Liverpool, Wurm has displayed copies of drawings he made as instructions for one-minute performances. Each performance entailed everyday objects being used to complete an action, based solely on the criterion that the action was possible. For example, a minimum number of tennis balls were used to form a bed upon which participants could lie, supported only at the necessary points. The process was recorded on video, and is shown in the present installation beside the objects and drawings. The audience is encouraged to participate by following the instructions in the drawings and employing the materials that have been provided in the installation. A billboard has been created in Liverpool displaying an example of these performances.
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Source:"Trace, 1st Liverpool Biennial of Contemporary Art", Festival catalogue
Date of source:1999