‘He seems very much in line with post-modernist assimilations, very much involved in that. Some irony. Some “plays” with it. But he goes beyond that also. What I was interested in was that he takes this multiple sign and puts close to it, in the same texture, a personal interpretation, and that goes beyond post¬modernist issues. That's why all the paintings are diptychs, because within each diptych there is this statement of the sign and the comment on it. So there is the “Forest” and the real “Forest” (…) Each diptych has it's own logic and is complete.’

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‘He seems very much in line with post-modernist assimilations, very much involved in that. Some irony. Some “plays” with it. But he goes beyond that also. What I was interested in was that he takes this multiple sign and puts close to it, in the same texture, a personal interpretation, and that goes beyond post¬modernist issues. That's why all the paintings are diptychs, because within each diptych there is this statement of the sign and the comment on it. So there is the “Forest” and the real “Forest” (…) Each diptych has it's own logic and is complete.’