'The vertiginous experience of Corrado Morgana’s video "Untitled (stairwell installation)" is entirely subjective: the view-point of the hand-held camera places the viewer behind the camera, while the endless video loop and driving rhythm of the racing steps provides no respite from the headlong rush downstairs.'

[LESS]
'The vertiginous experience of Corrado Morgana’s video "Untitled (stairwell installation)" is entirely subjective: the view-point of the hand-held camera places the viewer behind the camera, while the endless video loop and driving rhythm of the racing steps provides no respite from the headlong rush downstairs.'

'Ruth Mylius uses photography in a way which is conceptual and almost sculptural. By positioning images to face one another in Hand/Mirror, we are invited to both view and participate in the work and are willingly deceived into believing that a photograph of a mirror has reflective qualities.'

[LESS]
'Ruth Mylius uses photography in a way which is conceptual and almost sculptural. By positioning images to face one another in Hand/Mirror, we are invited to both view and participate in the work and are willingly deceived into believing that a photograph of a mirror has reflective qualities.'