‘Works by the Wilson twins hover between two and three dimensions, neither moving too far from the wall nor remaining on it in conventional fashion. Instead, their collaboration is as confused as the space they depict: a place of props and unfinished business, with hints of murder and other skulduggery, a space (in other words) of the inter¬pretation of any artwork. Apparently determined to refer to evidence outside itself, it may deal with closure after all.’

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‘Works by the Wilson twins hover between two and three dimensions, neither moving too far from the wall nor remaining on it in conventional fashion. Instead, their collaboration is as confused as the space they depict: a place of props and unfinished business, with hints of murder and other skulduggery, a space (in other words) of the inter¬pretation of any artwork. Apparently determined to refer to evidence outside itself, it may deal with closure after all.’