‘My work arises out of a desire to speak about experience and subjectivity as sites of conflict. It's about denied histories: the body, sexuality, class and the structures which both enable and prevent certain knowledges. I'm interested in the difficulty of producing such knowledges within existing frameworks of visual and spoken language which may be unsuitable and inadequate but are nevertheless usefully unstable and constantly shifting. “All in Your Head” (6 mins, b/w) was made with funding from City of Westminster Arts Council. It raises the profile of epilepsy in an exciting and imaginative way and aims to challenge stereotypes about this “invisible” disability which affects at least 1 in 200 of the population. Moving away from the traditional documentary format, it explores sensations, vulnerability and emotional dimensions by drawing on personal experience: the patient takes control of her own representation and looks at epilepsy from the inside out.’

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‘My work arises out of a desire to speak about experience and subjectivity as sites of conflict. It's about denied histories: the body, sexuality, class and the structures which both enable and prevent certain knowledges. I'm interested in the difficulty of producing such knowledges within existing frameworks of visual and spoken language which may be unsuitable and inadequate but are nevertheless usefully unstable and constantly shifting. “All in Your Head” (6 mins, b/w) was made with funding from City of Westminster Arts Council. It raises the profile of epilepsy in an exciting and imaginative way and aims to challenge stereotypes about this “invisible” disability which affects at least 1 in 200 of the population. Moving away from the traditional documentary format, it explores sensations, vulnerability and emotional dimensions by drawing on personal experience: the patient takes control of her own representation and looks at epilepsy from the inside out.’