‘Tom Freeston's small red two way bollard is like much of the work here for it feels familiar and down to earth. Resembling a spent cartridge case it sits in the floor, a useless but apparently ordinary object.’

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‘Tom Freeston's small red two way bollard is like much of the work here for it feels familiar and down to earth. Resembling a spent cartridge case it sits in the floor, a useless but apparently ordinary object.’