| Work Type: | relief | | Date of work: | 2002 | | Materials: | medium: acrylic, graphite, spraypaint, nails, screws
support: mdf, timber
| | Measurements: | height: 1 m
width: 1.5 ft
depth: 2 ft
| | Style Period: | contemporary art | | Subject: | non representational, constructivism, deconstruction | | Technique: | assemblage | | Collection: | New Contemporaries
| | | Description: | ‘So I saw bad paintings apart and re-assemble them, ad hoc, into dynamic, geometric objects, albeit those of a lonely tinker from his suburban shed. They are out of date "avant-garde" Constructions.’ [MORE][LESS]‘So I saw bad paintings apart and re-assemble them, ad hoc, into dynamic, geometric objects, albeit those of a lonely tinker from his suburban shed. They are out of date "avant-garde" Constructions.’ | | | Source: | Artist’s Statement. New Contemporaries 2003 submission form | | | Date of source: | January 2003 | | | Description: | Martin Poyner has started cutting up the bad paintings he does, and builds them into sculptures… so does that make them bad paintings or good sculptures? Or good paintings and bad sculptures? [MORE][LESS]Martin Poyner has started cutting up the bad paintings he does, and builds them into sculptures… so does that make them bad paintings or good sculptures? Or good paintings and bad sculptures? | | | Source: | Selectors’ comments: J.J. Charlesworth, Cerith Wyn Evans, Hayley Newman and Rebecca Warren. “Bloomberg New Contemporaries 2003”, exhibition catalogue, Coventry, 2003 | | | Date of source: | 2003 | |
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